This paper examines the image of Muhammad, and the Muslim at large, as delineated by William Langland in his "Piers Plowman".Langland draws on Muhammad's traditional iconography as established by medieval polemicists.At the center of this iconography is the idea that Mohammad is typologically an Antichrist type and hence epitomizes the root of the Antichristian evil-cupidity.As such, in his decept...