The study examines Ali Smith's Winter (2017) in light of the discourse of ‗relationality' as it is formulated in ‗metamodernist' theoretical speculations.Smith's text utilizes the aesthetics of ‗metamodernism' and its salient features to re-envision alternative forms of binary distinctions namely; death and rebirth, vision and truth, past and present, transience and permanence, superficiality and ...